






“I think it’s beautiful – the way you can open yourself up to be hurt, or to be reached”



Don’t kiss me like we’re in a movie
Because I know that movies end
you left that night with another girl and I didn’t know how I felt
Because I didn’t know how much I wanted you
But I wanted you still
NPA theme: not ridding yourself of something that scares you, but understanding it
Fuck, am I too much?
…I admire your passion…when you believe in something, you believe in it. Your words mean something because every ounce of your will is behind them.
…I like your passion, like, when you believe in something, you believe in it. Your words actually mean something because, it’s like, all your willpower is behind them.





The moment I saw him in his shiny red jacket with his zombie back up dancers, I knew that man was trouble. Michael Jackson was his name. He shared it with an older white man with a skeletal face. I had yet to discover the connection between these two.
The man had come upon the zombies in a cemetery after taking in a particularly horrific werewolf movie with his then girlfriend. Man and zombies joined together in a long difficult dance number during the instrumental. After this gruesome display, the two young lovers escaped to an abandoned house to seek meager solace in each others’ arms. But the cruel zombies pursued them still, smashing through the boarded windows with shattering accuracy.
They escaped without a scrape, physically anyway, but I have suspicions about this man and his claim that he’s truly human.
Day to day I seem to have a grasp on what’s fiction and fact, but some things just bother you and the lines get greyer and greyer and greyer and greyer. And these zombies, it seems, would continue to haunt me, be the great thorn in my side for many years to come. I knew a few things about these zombies: I knew they were persistent, I knew they were flesh hungry, and I knew they liked to come through windows.
I was twelve years old when I first became aware of these facts and this man. Twelve years old and trying desperately to wrap my head around Michael Jackson and his gruesome back up dancers.
My parents, that night wondered why I had yet to turn out the light. I told them all I had seen that day, imparting the mystery of the two Michael Jacksons and the horror of his dance ensemble. It turns out, as they then informed me, these men were one and the same. He had contracted the skin condition vitiligo, leading to unnatural white patches on the skin. I was also assured that zombies were not real. I believed this for the most part, but how could they not be real when I still felt their eyes crawling over my skin as they waited to slam their dead limbs against my window?
I discussed this at length with my good friend, Phil Collins. Phil was one of the good guys, always keen to make amends and remind us all of man’s great commonality. A real good guy. And night after night I would loose precious sleep pondering this question unable to dislodge it from the cogs of my mind.
This man, Michael Jackson continued to follow me. He consorted with Carol Burnett as a young boy. I find it harder and harder to believe that he really a bad egg after all. But it was hard to trust the man after seeing him with the horrors that lurked outside my window.
There were many more mysteries that would surround this man, Michael Jackson – Was he white? Was he black? Did he sexually abuse the child of a family friend? Where was his nose? But the greatest mystery of all, still haunts me. When I stand near open windows, when I hear his name, when I hear the deep tone of a narrator’s voice. Michael Jackson is gone. I know that, and I have know it for a long time. But the question remains that I ponder to this day…where are all the zombies now?
blue walls who paints a
room that blue
she ODed in his apartment
mouth fuckin’ foamin’
red shirts, just washed em’ too
What are we going to do with the guy in the
backseat
in the trunk
He can’t live there forever
[mostly because he’s dead]
Scorsese, Tarintino a drop of
blood
suspended
or a fountain splattered against
the back windshield
the distance from the chair to the screen is
safe
as the distance between me
and the motherfucker
who ball-gagged me
[what a fuckin’ creep]
we’ll storm his shop, mow him down, won’t know what hit ‘im
get medieval on his ass
Like Kingsman \ foot in the chin sliced through the balls
suspended
The distance between me and the real world is
safe \ You’ll never guess who
was playing us
all along the boardwalk he doesn’t expect to die
[come on, it’s so fuckin’ obvious]
but they don’t find his body until next spring
suspended
in water as it is
but they blew up the chicken man and the racket boys
won’t know what hit ’em
the distance between me and
Atlantic City is not safe
I’ve got a
little favor to do,
for a man who
won’t meet with me
[don’t you think that’s strange]
come on
everything that dies
doesn’t really
[I don’t really want to know
where they go
after the boardwalk]
(wouldn’t think about it)
wouldn’t think outside the screen where
my emotions are
suspended
and the distance is safe