viviocentrism + vampires 3

You wake up to your friend and roommate sitting on your chest, and you can’t breathe. You struggle to throw him off, curling and slapping ineffectually at his legs.

He grins, assuring you that it’s all a joke.

“Good, you’re up.” And he gets off your chest. You do not respond, still not forgiving him for the tightness in your lungs. He grins and turns away. “You’ve got a big day today.” He tosses you a button-up. “Quarter-finals, gotta look sharp.” You sigh and pull yourself out of bed still refusing to talk to your infuriatingly chipper roommate.

He doesn’t watch as you pull on your trousers but thumbs through your flows from the other day. You keep them carefully labeled and organized so as to never misplace your record of a debate.

“Is this even English?” your friend teases. You shrug into your starched and stiff-collared shirt.

“Vowels waste time. I can read them just fine.”

“Keep telling yourself that,” your friend snorts, and for some reason he flips through your unused paper, pristinely unfolded and clipped to a legal-sized clipboard. He leaves the hotel with you, following you to the debater-modified classroom, the illustrious location of quarterfinals. But suddenly becoming inexplicably nervous, he leaves you, mumbling something about getting breakfast or maybe coffee too if he’s in the mood. You quickly forget about his strange departure, reading into only his
sly “I’ll see you in semi’s anyway” and writing off any inconsistencies in his behaviour. The round begins following an exchange of flash drives and disclosures.

Your opponent stands up to give her first speech, and you reach to pull a few sheets of paper from your clipboard. But as you pull off the blank pages, an unfamiliar folded printout slides to the floor. In a flurry of swift action, you pull it back to the table and tuck it under the other sheets on your desk. You write furiously to make up for the first few seconds of the speech. Five minutes in, your opponent launches into the body of a particularly long piece of evidence, slurring her words slightly to make time for other cards. You can’t catch a word, and you’re tempted by the mysterious paper peeking from your flows.

Unfolding it carefully, you recognize a Wikipedia article and wrinkle your nose at the title: Alp (folklore). But your opponent continues to slur through a wordy card by the National Science Foundation. You have time. You begin to read:

Not to be confused with the similarly named Alp-luachra, the alp is sometimes likened to a vampire, but its behavior is more akin to that of the incubus. It is distinct from both of these creatures in that it wears a magic hat called a Tarnkappe, from which it draws its powers…Its victims are often females, whom it attacks during the night, controlling their dreams and creating horrible nightmares (hence the German word. Alptraum [“elf dream”], meaning a nightmare). An alp attack is called an Alpdruck, or often Alpdrücke, which means “elf pressure”. Alpdruck is when an alp sits astride a sleeper’s chest and becomes heavier until the crushing weight awakens the terrified and breathless dreamer. The victim awakes unable to move under the alp’s weight…The alp is often associated with vampires because it will drink blood from the nipples of men and young children, though women are the preferred victim of the invariably male alp, for it favors the taste of breast milk.

Your partner looks at you sharply.

“Cross-Ex?” she asks pointedly. You fold the paper.

“We’ll take a few seconds of prep.” Your partner looks back at her flows and nods at your decision like she agrees with it.

Only you know that she’s furious, hiding her angry anxiety under a mask of easy calm. But it’s not in her best interest to make you look bad.

In five seconds, you scribble a couple questions. Debaters love to hear themselves talk. It should be easy to fill three minutes.

And it is. Your partner quickly forgets your mishap.

The round ends leaving you with the triumphant feeling of doing the best you could. It’s not a crushing victory, but you’ve done nothing wrong.

You forget about the round and the deliberating panel of judges as your friend slips into the back of the room.

It occurs to you that you’ve never seen him without his hat. You stare at him until one judge collects the signed ballots and clears his throat, but he never once catches your eye.

quarantine 3

Neal was drifting in and out of sleep in his austere grey room with a bed that looked like a cot. He didn’t want to think about the scenes of that day, but they kept drifting into his sleeping eyes and kept insisting that he scream at them, silently, one more time. 

He was alone, waking and sleeping. Even Acardi had learned silence and inaction and in his silent screaming, he was alone. 

He woke to a scurrying in the vents. He groaned and rolled over. On top of all this, the compound had a vermin problem. The next moment, the scurrying seemed closer, like it was on the ground next to his bed, whatever it was. 

And a hand closed over his mouth. He meant to yell, but the hand was clamped tight over his lips.

“No sounds,” the reedy voice whispered. “It’s very secret. You act like a guard, lead me down the hall. I am handcuffed. But I lead you. Then you’ll sleep better. You’ll see.” A scrawny girl handed Neal a pair of iron handcuffs, then turned away and offered him her hands. His hands were shaking as he closed the iron over her thin wrists, but what choice did he have? 

Neal Grover only paused to pull on a pair of jeans and tuck in his white undershirt before following this strange girl down the hall, wherever she led him.  

She made him push her along a couple times so it looked like he was leading her, but it didn’t matter. The halls were deserted. Neal didn’t know his way well enough even to know what sector he was in when the girl stopped abruptly in front of a door that looked exactly the same as all the others and passed him the handcuff key. He freed her wrists and she opened the door with another key from her pocket.

She slipped in, barely opening the door, forcing Neal to edge his way through awkwardly behind her. 

The room was well lit and furnished with a round table and chairs whose occupants were of all shapes and sizes. Among them was Vanessa Acardi. A man with a beard that was barely more than stubble stood up and looked expectantly at Acardi. She nodded.

“He’s the one.” Neal tried to keep himself steel, but his eyes never obeyed. Now they were wide with alarm. The man nodded curtly at the scrawny girl who had brought Neal here.

“Good job, Norv, as always,” he complimented. Norv smiled crookedly.

“See. Rat’s are good for something.” She turned her smile sideways to Neal. “Aren’t they?” Neal was too confused to respond, and whether he would admit it or not, he was scared. 

“What’s going on?” he snapped. The man’s figure commanded the room as he looked at Neal with direct, but not harsh, eyes. 

“My name is Viktor Nicklaus Hartmann and this is the Resistance.”

quarantine 1

The air of the cavern-like dining hall was literally filled with insects: butterflies, dragonflies, beetles, but no bees or horseflies. The ground was carpeted with small, harmless furry animals: rabbits, mice, ferrets, gerbils, and everything in between. But the benches were
also filled, with humans.

Mycha started to walk through the fray.

“This is the Harmless Animal Sector, pretty self explanatory,” she explained, as she dodged a butterfly and stepped over a rabbit. “We don’t have to worry about them much. They know that one foot, or antenna, out that door and who knows what could happen? If someone happened to swat them or, god forbid, step on them, it would be such a tragic
accident. But after all, only an accident, of course.” Mycha’s smile made the air seem colder, and harder.

Next was the Semi-Harmful Animal Sector. It was bigger and felt a little less homey.

They walked through multiple sub-sections: stinging insects, biting insects, venom-less snakes, wild dogs, birds of prey. There were even more in the wings, Mycha told him.

After that, Mycha, who smiled too often and too cold, took him to the Dangerous
Animal Sector.

And this section felt like a prison. The air was somehow even harder. The walls were grey cement, the only furniture was hard and metallic, and hardly anyone was around, especially not in animal form.

Mycha motioned Neal into a smaller hallway decorated with its own set of locked stainless steel doors. Mycha pushed him through a smaller door at the end of the hallway. It was lead to a stairway and a small observation room with a one-way window. Even before he looked, Neal didn’t want to see through that window. Mycha gave him another chilly smirk.

“They were waiting for you. How nice.” She held down the intercom button.

“Bring her in, Vanessa.”

“Acardi, call me Acardi. We’re not on a first name basis, Barton.” Mycha released the intercom and shook her head, still smiling.

“Oh, Vanessa, always so formal.” But Neal wasn’t watching Mycha anymore. He was
looking through the window, and he knew he would regret it.

The guard called Acardi came through a cleverly hidden door on the far side of the room, roughly pushing a girl, short and almost too thin to be healthy. Neal guessed that it wasn’t by choice.

From the high observation window, he felt like he was watching a movie. No, dolls.

He was watching a game of make-believe that felt all too real. [He dissociates here] He was far away, so much bigger than that small, struggling figure, but he felt so close.

But he kept his jaw steel and his face hard. Mycha was grinning.

“You know, it’s your first day, let’s get closer.” Neal wanted to shake his head quickly and back away, like the shy kid he had been just a few years ago, but he [suppressed the instinct and] instead he gave his sadistic colleague a curt nod and followed her down a narrow metal ladder that took them to the stage of the scene that had started just minutes ago. And Neal looked where he knew he would regret.

Acardi had forced or maybe allowed the short, thin, handcuffed girl to fall to her
knees. Neal pursed his lips.

“Those handcuffs look…different,” he noted. Mycha shrugged.

“Iron, stops them from shifting as long as they’re touching it.” Neal nodded but he
wanted to scream.

“This is the fox that’s been causing all the trouble,” Mycha smirked. “Used to be a
Semi-Harmful animal, now she’s a little bit more, and gets her own…special treatment.” Acardi kicked the girl with her rubber boot. The girl barely flinched. She looked so broken; Neal doubted they could break her anymore.

“No moving,” Acardi ordered. The fox’s eyes were clenched shut and she didn’t
move. Acardi nodded at the door. “Subject ready.” Neal wanted to shiver but he was already
cold, hard, steel. A man in a white lab coat came through the door with a petri dish, a
scalpel, and some tweezers. The fox’s back was facing Neal, so he was forced to look where
he would regret. The man pulled the stretched and bloody collar of her T-shirt down to
expose her shoulder blade. He made an unceremonious incision. The blood started again,
Neal supposed, to flow. The fox flinched her eyes shut tighter but made no sound, and she
did not move. The man was not done. He pushed the tweezers even less ceremoniously into
the incision and pulled. The flesh ripped. The girl’s lip curled up, but still she did not move
and she made no sound.

“Flesh sample,” Mycha grinned.

Neal knew his eyes were wide, but at least his jaw was still steel. He wanted to
throw up.

The flesh sample went into the petri dish and out the door with the man in the white
lab coat who was too bored for the blood that poured down the back of this small
unmoving fox-girl. Acardi forced the girl off her knees. The blood still ran on pale skin like
wax, but it was too fast for dripping.

Neal wanted to do something that he hadn’t done, or even thought about, for years, almost a decade. Neal Grover wanted to cry